Monday, December 7, 2009

Scrobbling Faster with Last.fm

Last.fm users, have you ever found yourself reluctant to change your currently playing song because, eventhough you've lost desire to listen to the song, you still want your charts to pick up the scrobble? Or maybe you've wished you had a higher playcount for a particular artist that you love, to balance your charts between new and old favorites. Well, I can help you get your problems solved!

First, for those who are unfamiliar with Last.fm, allow me to sing it's praises and enlighten you. Last.fm is a website that tracks your music-listening habits and forms charts of all that statistics. Sounds exhilarating, right? Sarcasm aside, Last.fm is one of the most interesting and interactive websites I've ever joined. But then, I like stuff like music charts and linking artists and genre tags. "Scrobble" is a term coined by the site to refer to a track play that has been captured by it's software and added to your profile. Users are then rated against eachother, you can upload and vote on artist pictures, build a library, play recommended music of genre tag radio stations, and much more.

I have a low attention span when it comes to music so I find myself clicking "next" well before a song is finished. One trick I learned early on is how to scrobble more efficiently while still capturing all my playcounts. The trick is built-in to the Last.fm audio scrobbler and is NOT a loophole. If you're looking to go from a playcount of 20 to 20,000 in 20 minutes, you're out of luck.

"So shut up and tell me already!" Okay, okay...

*Open your Last.fm audio scrobbler software and enter the Preferences panel.
*Click on the tab for "Scrobbling"
*Locate the slider that says "Scrobble at:" and adjust it until it says "50 percent of track length"
*Press "Apply" and "Ok"

What we just did should be self-explanatory, but let me spell it out anyway. With this new setting, your track will be scrobbled into Last.fm's system and added to your charts after only half of the song has played, as opposed to the full-length or 80%, etc.. This is useful for people like me who get the flavor of a song and then want to move on without waiting until the bitter end. But here are some tips to get the maximum benefit from this new setting:

For rapidly increasing playcounts of a song or artist:
*in iTunes or your preferred music player, set up a new playlist
*Add songs from the artist you want to focus on, or add one song about 3 or 4 times.
*Turn on the "Repeat" function so the playlist is continuous.
*Begin playing a track in this playlist and then watch the scrobbling bar on your Last.fm software. The bar will be full half-way through the song. This means it is scrobbled. The countdown clock tells you how much longer until it's scrobbled.
*At that point, in your music player, click the far end of the scrolling playbar to immediately advance the song to the end. This allows iTunes/your music player to capture the play (iTunes also tracks the number of plays for individual tracks.)
*Depending on your purpose, a new song by the same artist or the same track will immediately begin. Watch the Last.fm status bar, or the music player scroller (check with the count-down clock to make sure it's scrobbled) then at the 50% mark, repeat the last step. You are now counting two scrobbles in the same time frame as listening to one full track.
*If you don't want to hear the beginning of the same song every time, click the end of the track, then as the next track begins, click in the center and play from there. If you time it just right, and have an accurate mousing-hand, you can count two scrobbles for one play without missing a beat! This takes some practice and a good knowledge of your particular song.

Was that too confusing? Try it for about 10 minutes then look at your Recently Played chart on your Last.fm profile. You'll have twice as many songs in half the time!

Good luck and happy scrobbling!

Saturday, June 20, 2009

abingdon boys school New Single


abingdon boys school (A.B.S.) is a Japanese rock band formed in 2005. The members are Nishikawa Takanori (T.M.Revolution) on vocals, SUNAO on guitar, Shibasaki Hiroshi on electric guitar and Kishi Toshiyuki on keyboards. SUNAO and Shibasaki are also involved in T.M.Revolution's backup band. Toshiyuki had arranged several songs on T.M.Revolution's 2006 album "UNDER:COVER".

Nishikawa is well recognized among the Japanese media as a singer and producer. He has also ventured into television and film acting.

abingdon boys school is quickly climbing the ranks of the Japanese rock scene to claim their throne at the top of the alternative rock heap. A recent press conference announced that the band will be very busy in 2009, including a world tour. With their edgy modern-rock sound, numerous English songs, and charming style, it should be relatively easy for a.b.s. to break into the U.S. market if given the right push. (Keeping my fingers crossed for a slot on the Warped Tour).

The latest single by a.b.s. is titled simply, "JAP" and has made huge waves since it's release. The accompanying music video has recieved over 24,000 views in just over a month of appearing on YouTube.com.

abingdon boys school - "JAP" (3:55)
Download: 192 kbps

D: Under-Rated Rockers


While listening to random indies and vk bands I've acquired through pay-to-download sites, one in particular keeps catching my ear with particularly interesting and talented songs. That band is D.

Formed in 2003 by former members of Syndrome, D have somehow remained just outside of the limelight of the vk scene. With over a million scrobbles on last.fm, I wonder why it took me 5 years to hear of the band. It certainly has nothing to do with a lack of talent or poor songwriting, because this band has plenty of both! D are a welcome mix of an indies sound with ehavy vk stylings, edgy solos, melodic vocals (read: not just screams and growls), and the beginnings of a solid catalog of music.

D are currently on tour throughout Japan, but there's no word of the band making their way to the U.S. anytime soon. That's too bad since D could easily give any other current vk band a helluva run for their money! D have already lasted longer than most vk bands do these days, so hopefully we'll be seeing a lot of this band for many more years to come!

Please enjoy some sample songs from their disc "The Name of the Rose" from 2005. I'll be adding more of their music soon, but this is a nice place to start.

4-song selection from "The Name of the Rose" (2005)
Download: 128 kpbs
Tracks:
GOD'S CHILD 4:22
Hourglass 5:21
Day Dream 5:14
Ever After 3:47

Saturday, June 13, 2009

T.M.Revolution Remix

The first release from T.M.Revolution is titled, "Makes Revolution." After a number of years, and several major album releases later, T.M.R. decided to remix some of his songs into dance tunes. "LIAR'S SMILE" from the "Makes Revolution" album is one of the songs to receive the electro-makeover. You can download it here.


Song: "LIAR'S SMILE (Breaking The Code I-Mix)"
Album: DISCORdanza Try My Remix
Download: 128 kbps

Wednesday, May 13, 2009

Kanon Wakeshima


Kanon Wakeshima - For fans of Emilie Autumn, Rasputina.

This cute little Goth Loli is actually quite amazing! I just discovered Kanon because of the announcement from OTAKON that she will be one of the con's musical guests this year. I had heard her name a handful of times at most but when I found out that she has been produced by Mana of Malice Mizer/Moi dix Mois fame, I had to take a look. I usually love everything Mana touches, and since Mana wrote some (all?) of the music while Kanon sings and plays the cello, I figured it was a safe bet.

"Still Doll" is the name of Kanon's debut single in 2008 from DefSTAR Records.

Brooding, spooky, dramatic, ethereal, innoncet, and all the things that Mana + Gothic Lolita + Cellos could produce!
Here is a really nice review from www.designchronicle.com:
This is a rather nice gothic PV that features cello, chains, praying mantis, voyeuristic old man, and of course, a gothic lolita. The girl who sings the song, Wakeshima Kanon, was apparently found by Malice Mazer's member, Mana. As a result, her image in the PV is influenced by their Gothic-Victorian style. In a lot of ways, the PV reminds me of ALI PROJECT and their various Rozen Maiden OP and ED theme. It's also interesting to know that the lyrics have this purposely stunted style to it so that it reflects the song title. Thanks to its creepiness, the song becomes a perfect ED theme for Vampire Knight. The PV itself shows a girl whose legs are chained so she can't go anywhere outside the house. Outside the house, an old man uses a small peephole to take a peek at the girl who now plays cello. Even without the reference to Vampire Knight, the PV does a good job of being creeptastic.
*Please enjoy!*
"Still Doll"
KANON WAKESHIMA
Screencaps:



Monday, May 11, 2009

T.M.Revolution


T.M.Revolution is my favorite artist. He brings so much to the entertainment scene. He is a singer in two projects, an actor, a fashion designer, a tv and radio host, and much more! It's only appropriate that I start this blog with T.M.Revolution since he is responsible for me being into the J-Pop/J-rock scene.

Years ago in college, I borrowed a VHS tape (remember those?) from a Japanese foreign exchange student. I told him that I was getting into some of the music from Japan, so he loaned me this tape with hours of "J-MTV", for lack of a better term. That was when I discovered the legendary, "Hey! Hey! Hey! Music Champ" show, in which guest artists are interviewed and then give elaborate stage performances of their current hit song. This tape that my friend loaned to me was loaded with bands that are now some of my favorites. KinKi Kids, Dir en grey, and Surface were amongst the best, but not to be outdone was none other than T.M.Revolution with a performance of "Wild Rush." I was immediately entranced and watched his segment over and over again.

The year was 2000, and at that time, anything related to Japanese pop or rock was pretty difficult to find "en masse" on the internet in English. Sure, there were some fansites with some meager pictures, or I was able to scrounge up some pictures from Japanese sites, but not able to read any news. For years, I searched, dug, sniffed out, and hunted down any scrap of information I could on T.M.Revolution. Finally, last year, I flew from Dallas to New York City for a live performance from T.M.Revolution at New York Comic*Con. He had performed in the U.S. several years back but I was just a poor college student then. This NYCC show was amazing! There was even a Q&A panel and an autograph session, both of which I was able to participate in or attend.

It was surreal. To stand there, inches away from Takanori Nishikawa, the man known as T.M.Revolution, as he carefully signed his name in my program. I just stood there, silent, staring at him, drinking in all the details of his clothes, his hair, his posture, his skin, even his nails and the way he held the pen with such grace. I was under his spell, and he was veiled in the mist of "I've only seen you in pictures from exotic far away lands... I can't believe you exist and are in front of me!" I wish I could have said that, but I knew his English wasn't perfect, I didn't want to engage with the translator (wasn't even sure if she was a translator, even), and I figured every other girl would be squealing and prattling on to him, so I'd just be respectful and humble. His eyes shined and his smile was perfect as he looked up and said, "Thank you!" in perfect English(!). I smiled, said "Thank YOU!", held out my hand to shake his, which he did, and then said, "I love you!" I couldn't let the moment pass without letting him know how much his music had meant to me throughout the years. With 180 people in line behind me with autograph passes, and more hoping to get a chance before Takanori-san tired, I felt the need to be brief. He returned my sentiment with, "I love YOU!" He was so genuine and very happy to be with this American fans again. His smile and the happiness he exuded was proof. As I walked away, I felt tears whelling up in my eyes from pure joy. I had traveled so long, and tried so hard to get there, I was happy to be successful in getting his autograph and a few precious seconds with him. I was so happy that I thought, "If I don't get a good seat for the concert, I can't be too mad because I got to meet him, which I didn't except when I came here."

Well, to finish the story, I did get a good seat for the concert, and it was amazing! After the show I just sat there screaming into my balled-up sweatshirt and sobbing my eyes out. I was so happy, I couldn't contain myself. Years of growing interest and searching finally yielded in the best experience possible.

So I share with you, T.M.Revolution. It took me years to gather all of his music, painstakingly searching Japanese websites, using poor translating tools, and clicking "mystery" links to finally find information and places to buy his merchandise. Luckily, these days it's not so difficult to buy T.M.Revolution music, or his full-band project, abingdon boys school. So if you like these songs, please buy the physical copies to support great music and show that people in the U.S. and around the world love T.M.Revolution!



1.独裁 -monopolize-
2.臍淑女 -ヴィーナス-
3.HEART OF SWORD ~夜明け前~
4.LEVEL 4
5.HIGH PRESSURE
6.WHITE BREATH
7.蒼い霹靂 - JOG edit -
8.HOT LIMIT
9.THUNDERBIRD
10.Burnin' X'mas
11.WILD RUSH
12.BLACK OR WHITE? Version3
13.HEAT CAPACITY
14.魔弾 ~Der Freichutz
15.BOARDING
16.Out Of Orbit - Triple ZERO -
17.hear ※未発表曲

I'll have more T.M.Revolution, and abingdon boys school, throughout this blog. Please visit often! Please comment! Please subscribe!

Cheers!
~Tammy